• We’ve All Seen This Movie, Now We’re The Stars

    Is there any actor alive today that epitomizes the American ideals more than Clint Eastwood? Can anyone think of a show or movie he was in where they disagreed with his character in the end, rather than cheering his actions as those we would all like to think ourselves capable of in similar circumstances? If so, name one…go ahead, make my day…(I’m sorry, I couldn’t resist)!
    At the Republican National Convention, Clint just walked onstage and wrote a screenplay worthy of any of his movies.
    Whatever the history of his character, he always found himself making decisions to come to the aid of foreigners being persecuted, (JOE KIDD, GRAN TORINO), Religion or women being threatened, (Two Mules for Sister Sarah), or the average guy or gal being wronged by criminals or the entrenched, corrupt powers that be, (the DIRTY HARRY series, PALE RIDER, UNFORGIVEN).
    It was so easy for him to play himself again.
    In this story, America is the small rancher, scraping out her existence on the plains, living the free life according to the rules.
    This President plays the corrupt sheriff, or the corrupt lawyer or the anything corrupt, who covets the land and earning of the smaller, less protected rancher. Using his access to the laws, he undertakes to bastardize the laws to obtain what he cannot outright steal or destroy. He puts his slavishly obedient followers in positions of power, (Holder, he who has never seen a white person wronged by a person of color, or Sebelious, she who, like obama, has never met a baby she wouldn’t have rather seen aborted), so he can circumvent the laws or regulate them into non-existence.
    In rides Clint. In a matter of minutes, he makes his case against the Big Dawgs. As he did in real life at the RNC, it is hard to argue with his straightforward analysis of the situation. It is always right, and always swings the tide of opinion of the viewer to his side. Generally, he is shot, pummeled, hanged or otherwise abused for a few scenes for his defiance, kind of like the character assassination and insults the media and envious no-talent Hollywood hacks are throwing at him now.
    Usually, with the audience cheering him on, he wipes out the problem dirtbags with a few well placed shots, explosions or a train. The audience, bouyed by his blows for freedom, leave feeling that right will overcome wrong because, well, just because he made us see that evil can be defeated by the righteous, one man can make a difference, and there are more people that will stand up for it than not, which makes us feel secure.
    In this script, the hero has pointed out the problem, identified the leader of the corruption, and handed the townspeople a choice. He has done his part, (everything but bring the red paint to the convention!). We have been complicit in this scene, and we must act individually, according to our conscience, to free ourselves.
    Now, we the American townspeople, have to weigh his truths and act upon them. We don’t need anyone defending us in the coming battle on election day. We, the American townspeople are armed to the teeth with the most deadly weapon there is against a corrupt, power hungry, failed politician. Our ballots will be our bullets, and when the movie ends, Americans are going to leave the theater cheering.